Les artistes n'apparaissent pas par ordre chronologique de naissance, ni par ordre alphabétique.

A unique artist from the same period as the Impressionists, Paul CEZANNE developed a unique and personal style of painting.

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Very famous for his collective portraits, Henri Fantin-Latour also excelled in other forms of expression, such as still lifes. A privileged witness of his time, he is sometimes considered a link between the Romantic and Impressionist movements.

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Born into a very wealthy and cultured environment, the painter abandoned the particle to sign his works. His exceptional situation did not escape the critics of the time, often destabilized by his avant-gardism, which is still the subject of many debates among art historians today.

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Zola's favorite painter, Édouard Manet (1832–1883) embodied the aesthetic revolution of the late 19th century.

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A French painter and draftsman, he showed his talent for painting from a very young age. He exhibited at the Salon in Paris and also stayed in New York where he acquired great fame.

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Charles Cordier (Cambrai 1827 - Algiers 1905), a student of Rude, occupies a special place in French sculpture of the second half of the 19th century.

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Considered a precursor of symbolism and a major figure in 19th century French painting, Pierre Cécile Puvis de Chavannes was one of the founders of the new Société nationale des beaux-arts in 1890.

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Alfred Dehodencq belonged to the orientalism artistic style. He was mainly active during the modern period in the 19th century.

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Equally admired and hated during his lifetime, Courbet paved the way for 20th century painting.

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Part of the realist wave that swept through art in the 19th century, the work of Jean-François Millet had a profound influence on the art of the Impressionists and Van Gogh.

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Charles Jacque is a great French naturalist painter. He is one of the founders of the Barbizon school in which he is recognized as the specialist in sheep and farmyard subjects.

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A French sculptor, during his long career, Auguste-Louis-Marie Ottin participated in all the major artistic movements, showing himself to be equally at ease in the romantic movement as in the historical movement.

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